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The Super-Angulon XL is the latest 8-element, wide-angle design for large format photography with an angle of view of 120 degrees. The extension of angle of view makes possible maximum camera movements and overcomes many more problems which may confront the exacting professional. The Super-Angulon XL uses the latest technology to attain outstanding performance. These characteristics give the Super-Angulon XL an outstanding position in ultra-wide-angle photography, and it is the most successful addition to a range of already high-quality lenses.

Excellent contrast and resolving power are proven characteristics of these lenses. Another feature of the Super-Angulon is its unusually wide angle of view of 100 degrees when stopped down.

For each Super-Angulon, special Center-Filters are available, partial compensation for the natural brightness decrease of the wide-angle lenses towards the edge.

Les photographes en moyen format trouveront cet objectif extrêmement utile. Le nouveau Super-Angulon XL 38mm est doté d'un angle de champ impressionnant de 120 degrés à f/22 et d'un cercle d'image de 137mm. Sa conception de haute précision et les calculs optiques ont permis d'obtenir une distance focale arrière de 52.1mm sans perte de résolution ou de contraste.
Ceci est important du fait que cela permet le meilleur cercle d'image possible pour le Super-Angulon XL 5.6/38.

L'objectifs a été conçu pour couvrir les formats 6 x 7cm et 6 x 9 cm. L'objectif couvre aussi le format panoramique 6 x 12cm. Il est idéal pour les photographes d'architecture qui emploinet des chambres moyen-format, autant que pour les photographes de paysage qui cherchent un objectif grand angle.
L'objectif est proposé avec l'obturateur Copal #0.

Filtre dégradé central recommandé IIa

Angle de champs à pleine ouverture (degrés) 101° - Cercle image à pleine ouverture (mm) 96 -

Angle de champs à f22 (degrés) 120° - Cercle image à f22 (mm) 139

Formule optique (éléments/groupes) 8/4 - Longueur focale exacte (mm) 39,3

This is a wide angle lens for large format view camera photography with film formats up to 4x5 inch. The lens has a 120 degree angle of coverage at f22, producing a 166mm image circle at f22. This allows shift of up to 9mm vertically and 8mm horizontally with 4x5 inch film. This is one of the widest angle lenses available for 4x5 photography.

This is a wide angle lens for large format view camera photography with film formats up to 4x5 inch. The lens has a 110 degree angle of coverage at f22, producing a 166mm image circle at f22. This allows shift of up to 9mm vertically and 8mm horizontally with 4x5 inch film.

This is a wide angle lens for large format view camera photography with film formats up to 5x7 inch, although it is most commonly used with the 4x5 inch format. The lens has a 115 degree angle of coverage at f22, producing a 229mm image circle at f22. This allows shift of up to 50mm vertically and 44mm horizontally with 4x5 inch film.

The Super Angulon Classic 90mm lens is just that, it is the classic wide angle lens for 4x5 inch large format photography. The lens offeres a 100 degree angle of coverage, allowing extreme camera movements to control sharpness and image shape. It is constructed with 8 elements in 4 groups. An accessory center filter is available to compensate for the natural brightness falloff at the extremes of the image circle.

This is a wide angle lens for large format view camera photography with film formats up to 5x7 inch, although it is most commonly used with the 4x5 inch format. The lens has a 110 degree angle of coverage at f22, producing a 259mm image circle at f22. This allows shift of up to 67mm vertically and 60mm horizontally with 4x5 inch film.

The Super-Symmar XL Aspheric lenses are part of a new generation of aspheric photographic lenses of a very compact design. The 6-element, 4-component aspherics have a 105 degree angle of view. The image circle is similar to a Super-Angulon of a comparable focal length, while further improving the quality of the image at the same time. Because of their high tolerance for different magnification ratios the lenses lead themselves ideally for the most demanding studio applications.

The Super-Symmar XL Aspheric is designed specifically for wide-angle photography and, with the exceptional angle of view of 105 degrees, offers extreme camera movements required for both architectural and dynamic studio photography.

In comparison to the standard Super-Angulons of comparable focal length, the relative aperture has been increased due to the high-precision, aspherical lens elements, resulting in a brighter and more uniform screen image.

With new technology in glass manufacturing and specially designed aspherical lenses, chromatic aberration in the image field has been cut in half, providing considerably better image quality than that of standard wide-angle systems. Color fringing, especially at small scale ratios is almost entirely eradicated. The overall dimensions of these new lenses have been reduced considerably in comparison to standard wide-angle lenses. The Super-Symmar XL lenses offer the greatest flexibility for both architectural and dynamic studio photography.

This is an 80mm lens for use with film formats up to 5x7 inch, although its most common use will be with 4x5 inch film. The lens has a 105 degree field angle at f22, producing an image circle of 211mm at f22. This allows 39mm of shift vertically and 34mm of shift horizontally with 4x5 inch film. Therefore this is a very useful lens for wide angle photography for landscape, architecture and even table top. The Super Symmar XL Aspheric lenses can be used for close up photography . . . up to 1/3 life size, with no visible loss in image quality.

This is a 110mm lens for use with film formats up to 5x7 inch, although its most common use will be with 4x5 inch film. The lens has a 105 degree field angle at f22, producing an image circle of 288mm at f22. This allows 83mm of shift vertically and 76mm of shift horizontally with 4x5 inch film. Therefore this is a very useful lens for wide angle photography for landscape, architecture and even table top. The Super Symmar XL Aspheric lenses can be used for close up photography . . . up to 1/3 life size, with no visible loss in image quality.

This is a 150mm lens for use with film formats up to 8x10 inch. The lens has a 105 degree field angle at f22, producing an image circle of 386mm at f22. This allows 52mm of shift vertically and 44mm of shift horizontally with 8x10 inch film. Therefore this is a very useful, lightweight and relatively inexpensive super wide angle lens for the 8x10inch film format. It is very useful for landscape, architecture and even table top photography. The Super Symmar XL Aspheric lenses can be used for close up photography . . . up to 1/3 life size, with no visible loss in image quality.

This is a 210mm lens for use with film formats up to 8x10 inch. The lens has a 105 degree field angle at f22, producing an image circle of 500mm at f22. This allows 121mm of shift vertically and 108mm of shift horizontally with 8x10 inch film. Therefore this is a very useful and relatively lightweight wide angle lens for the 8x10inch film format. It is very useful for landscape, architecture and even table top photography. The Super Symmar XL Aspheric lenses can be used for close up photography . . . up to 1/3 life size, with no visible loss in image quality.